By Adelene Buckland, Beth Palmer
In 1957, Richard Altick's groundbreaking paintings "The English universal Reader" reworked the learn of booklet background. placing readers on the centre of literary tradition, Altick anticipated-and helped produce-fifty years of scholarly inquiry into the methods and capability during which the Victorians learn. Now, "A go back to the typical Reader" asks what Altick's thought of the 'common reader' really skill within the wake of a half-century of analysis. Digging deep into strange and eclectic files and hitherto-overlooked resources, its authors supply new realizing to the hundreds of newly literate readers who picked up books within the Victorian interval. They locate readers in prisons, within the barracks, and all over the world, they usually remind us of the facility of these forgotten readers to discover forbidden texts, form new markets, and force the construction of latest examining fabric throughout a century. encouraged and educated through Altick's seminal paintings, "A go back to the typical Reader" is a state of the art assortment which dramatically reconfigures our realizing of the normal Victorian readers whose efforts and offerings replaced our literary tradition endlessly.
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Additional resources for A Return to the Common Reader: Print Culture and the Novel, 1850–1900
In this way, the political front and middle of the Spectator were supplemented by its serious reviews of fiction, the original fiction in Good Words might reflect its religious remit and entertain as well, while the evaluative reviews of new fiction in the Athenaeum and serial fiction in Chambers’s spiced up the fare of these general weeklies. Then too, in the nineteenth century, fiction mapped onto a new audience of great potential for monthlies, weeklies, and dailies: Women were a relatively untapped and increasingly literate consumer group, whom editors and publishers alike were keen to cultivate.
Altick, The English Common Reader (Chicago, 1957), p. 6. Deborah Mutch, English Socialist Periodicals, 1880–1900: A Reference Source (London, 2005), p. xvi. Lyn Pykett, ‘Reading the periodical press: text and content’, in Investigating Victorian Journalism, ed. by Laurel Brake, Aled Jones, and Lionel Madden (New York, 1990), pp. 3–18, 7. Altick, p. 7. , p. 171. Culture and Science in the Nineteenth-Century Media, ed. by Louise Henson, Geoffrey Cantor, Gowan Dawson, Sally Shuttleworth, and Jonathan R.
22 However, these readers, though female, were not ‘common readers’. 23 Clare Gill’s work on the socialist reading schemes of John Trevor and The Labour Prophet in the 1890s looks at working-class readers in detail,24 but even here the periodical in question was of a relatively high quality, aiming itself at ‘rational’, focused Virginia Berridge, ‘Content analysis and historical research on newspapers’, in The Press in English Society, pp. 201–18. P. Weber, Basic Content Analysis (Beverly Hills & London, 1985), p.