By Andrew Kelly

Released to commemorate the centenary of the beginning of Erich Maria Remarque this can be an account of the making of his novel. whilst released in 1928, the e-book reworked the preferred photograph of struggle; the movie, directed through Lewis Milestone, used to be published the next 12 months and used to be immediately acclaimed a vintage. It is still the crucial view of global conflict I and of the brutality and waste of struggle. just like the novel the movie was once censored. Andrew Kelly covers the film’s origins and creation, and its fortunes on and after liberate. it's illustrated with scenes from the movie and comprises wide extracts from the screenplays.

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Additional resources for 'All Quiet On the Western Front': The Story of a Film (British Film Guides)

Example text

Sherriff ’s Journey’s End (the play, though a novelisation was published in ), Richard Aldington’s Death of a Hero, Robert Graves’s Goodbye to All That, and Ernest Hemingway’s A Farewell to Arms; in  Frederic Manning’s Her Privates We and Henry Williamson’s The Patriot’s Progress; in  Wilfred Owen’s collected poetry and, in , Vera Brittain’s Testament of Youth. Remarque’s book was also a masterwork. Like the film that followed, it was highly controversial, particularly in the author’s homeland.

On his way to visit Yvette he passes groups of men making many wooden crosses. After seeing his lover he returns to the front. He meets Karl, who is on leave for the first time in eighteen months, and tells him of his love for Yvette. Karl is not so lucky. He reaches home as more troops are being mobilised for the front and, after giving short shrift to a fat businessman who questions the failure to take Paris, he discovers his wife in bed with the butcher’s son. He threatens him at gunpoint, and demands that they kiss, before throwing him out.

On his way to visit Yvette he passes groups of men making many wooden crosses. After seeing his lover he returns to the front. He meets Karl, who is on leave for the first time in eighteen months, and tells him of his love for Yvette. Karl is not so lucky. He reaches home as more troops are being mobilised for the front and, after giving short shrift to a fat businessman who questions the failure to take Paris, he discovers his wife in bed with the butcher’s son. He threatens him at gunpoint, and demands that they kiss, before throwing him out.

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