By Robert B. Faltermeier

This publication is a concise consultant on the best way to safeguard, defend and examine cultural history in inner most and public collections. Its concentration is on third-dimensional artistic endeavors and archaeology made from fabrics like ceramics, glass, stone, metals, wooden and so on. It in short explains an important elements of dealing with, reveal, garage and research of such paintings works and covers the fundamentals of environmental stipulations for an artwork assortment. a variety of functional examples from the author's lengthy adventure are proven in top of the range color photographs.

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Extra info for An Easy Guide to Care for Sculpture and Antique Art Collections

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Cleaning blackened and tarnished silver is not as simple as it may seem. On a microscopic level, commercial silver pastes can actually do more damage than good, since their compositions vary greatly. They usually scratch and/or change the silver surface composition. The most common brands contain ammonia; this chemical will dissolve the copper in the silver alloy, and make the surface porous. After polishing, the surface will contain mainly silver. This silver surface is even more reactive than the silver-copper alloy of the main body, and due to the high purity of the silver surface the silver will re-tarnish even more rapidly than before.

A note of caution, cotton gloves can entangle with rough stone surfaces. If a stone object is moved on a mount, it needs to be secured adequately and no part should be abraded by the support itself. Therefore, it is always advisable to remove all stones from their mounts prior to moving them. Large stones are best demounted using lifting equipment, to minimise the stresses exerted onto the mounting areas. Be sure that the attachment points for the lifting straps are strong enough and the straps secured properly.

When lifting or moving textiles, make sure that the weight is evenly distributed and no area is unnecessarily stressed by the weight of the fabric itself. Delicate areas can be supported by sliding acid free cardboard or paper underneath before attempting to lift a textile.  1). Display 49 Display Light is a form of electromagnetic energy and is one of the main causes of photochemical degradation, since organic materials such as textiles will absorb light energy and deteriorate. The absorbed energy will cause the textiles to fade and cause structural damage.

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